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PC Magazine Article - "Desktop Video for All?"

The following story was taken from John Dvorak's well respected column in the March 2000 issue of PC Magazine. It helps to further articulate why the creation of important videos is best left to professional videographers.

"Dvorak contends that few have the time and talent to edit video into something worth watching.

If you were to believe Apple's TV commercials, you'd think the next killer application will be video editing on PCs. Gosh, now you can take your boring home videos and make them into fabulous productions. You can add titles, edit and clip, and do all sorts of fancy wipes. Fantastic! Yeah, fantastic if you have no life. For the average computer user, this application stinks.

I don't want to tell you that computers aren't great for video editing. In fact, they are great. But over the years, I've concluded that people don't want to do video editing on their PCs. I like shooting videos as much as the next guy, but I prefer shooting digital still images when given a choice. Still images are easy to distribute and easy to deal with. Most people edit them simply by throwing the bad ones into the garbage can. Very easy to do. Video editing is so time consuming that unless you're a professional doing it for money, there's no reason to do it at all.

I work in TV, and I know how much time video editing takes, even when an expert does it. Producers on a budget love live broadcasts or live-to-tape broadcasts, because post production (a.k.a. video editing) costs a fortune. Only high-budget shows or long-time-to-market labor-of-love productions can afford it. So how does the average consumer with a camcorder fit into this picture? He or she really doesn't. Perhaps someone can get a good video editing system and make one great production from a pile of home movies, but doing it over and over for the sole purpose of showing movies to your bored family and tolerant friends gets old fast. Raw footage tends to be more fun and interesting than an over-produced amateur presentation.

I did a lot of video editing with a fairly professional Video Toaster rig a few years ago for some speeches I was doing. I got fairly good at it, but producing a minute of finished video still took an hour, not an uncommon ratio. Much of the time is spent looking through hours and hours of video to find what you need. The more video you accumulate, the worse this gets. Then there's the tweaking. You ask yourself, "Should I start with this frame or that frame? Should I use this dissolve or that dissolve?" Anguish kills another boatload of time. After a while, you realize why video-editing studios charge so much money.

Still photography is the world's number one hobby, because it's easy and fun. Producing videos is not easy and is rarely fun. Video editing software is great for the wannabe writer/producer/director who wants to go pro someday, but it's not a mass-market item and won't ever be, no matter how many camcorders are sold.

Where PC-based video editing shines is for professionals who wants to do work on the side-people looking for a cheap way to piece together an editing systems, so they can produce something inexpensively for money!

A friend of mine who has made Hollywood productions and has been in and out of the business for years says that the combination of Adobe Premiere and After Effects and a semipro digital camcorder such as the Canon XL-1 can let you produce broadcast-quality material or even a minor feature film. Many companies (including Sony) now can transfer video to film using technologies that make it look as if the video was shot on film in the first place.

The Adobe bundle sells for $995, and the Canon camera goes for about $3,800. You still need a fast computer with a huge hard disk and other add-ons, which I figure at about $3,000. Total with two cameras equals $11,595 plus tax. Goofballs looking for a cheap hobby should look elsewhere, but for the independent professional, this price is a steal, since comparable studio gear might go as high as $50,000 or more. (Professional cameras cost about $35,000).

Needless to say, professional gear is more rugged and more evolved than consumer gear, but if you know what you're doing, the difference in finished product should be negligible. But knowing what you're doing is the hard part. This "studio on the cheap" technology may bring forward some seething genius who could never find funding at Hollywood prices, but it will also flood us with pathetic and amateurish attempts at entertainment, much of which will be shown to captive family members in the form of horrid home movies. Desktop video will definitely not be a mass-market killer app."


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